Something that can often be said for book to film adaptations, but I think really is worth repeating here – the book explains it better.
For those not aware, Bird Box follows Malorie, as the world becomes a strange, frightening place full of creatures the human mind cannot understand nor comprehend. To combat this, survivors wear blindfolds whenever they are outside their homes. They cover windows, learning not to look.
At the start of the story, Malorie is pregnant, meaning she must not only learn to survive in this scary new world, she has to learn how to raise children in it, as well.
There were a number of…interesting changes made between the book and Netflix’s film. They make sense, in a way, because they probably make for better watching, but whereas I finished the film thinking meh, not that scary, not really invested in any of the characters, I found the book to be a good horror novel, really gripping and definitely with more interesting characters.
There are some…strange changes made between book and film. I’m sure there are valid reasons for some of these, but some of the changes include –
- Ageing up the characters – this is understandable, and not completely a bad thing, but in the book, Malorie and most of the ‘housemates’ are in their early to mid twenties. To me, this makes a lot of sense – not that women past their thirties wouldn’t have one night stands, but I feel like it’s more likely for Malorie to have one AND get pregnant if she’s younger. That might just be me, but a few of the character’s actions make sense when they’re just that little bit younger.
- Things move slower. Again, a change that makes sense when transferring from text to film, but the ‘creatures’ don’t just suddenly appear to everyone at once at the same time. They creep in, affecting some people and leaving others untouched, rather than everything going from “oh there’s stuff happening in Russia” to “OMG it’s here panic panic panic.” It’s more gradual, leaving people with more time to prepare.
- Tom. Ah, Tom. Intelligent, keen to help everyone, very flirty with Malorie. In the book, it’s hard to say she’s in love with him or not (I would think she is), but without a doubt, she admires him, respects him, and he gets her through a lot, whether he’s physically present or not. Tom conducts ‘experiments’, pushes for change, BUT (and here’s the kicker) some of what he does in the film, or that the group does as a whole, is done only by Malorie in the book. She learns to survive, and raise the kids, on her own. The film, to me, took away a lot of that strength given to her in the book.
- The other housemates. On the whole, the other housemates are pretty decent. Even Don, who triggers some problems in the house, doesn’t do it out malice. The characters are more nuanced than in the film. Including Gary, though he is still a dick. And those two characters who steal the car? Doesn’t happen in the book. (Though maybe they found they needed an excuse to get rid of MGK?)
- Mental illness. Okay, I’ve been thinking about this one a fair bit. In the film, the implication is that anyone who is just a little bit off the line of what is considered ‘normal’, would be fair game to the creatures. But in the book, it’s more complicated than that. There is an element of that, but it’s more like people who could be susceptible to that sort of thing anyway can be drawn deeper down the path, like someone who believes man didn’t land on the moon might be more likely to believe the conspiracy theories surrounding JFK. And, well, anyone who lives through an end-of-the-world scenario is going to have mental health problems. Cooped up in a house for so long is going to work on your mind, as well as seeing some of the horrific imagery these characters do, it’s going to trigger depression, PTSD, anxiety, and other issues. I feel like it’s more clear in the book, whereas the film simplified it to the point where anyone with any mental illness ‘might’ worship the creatures, disregarding the fact that anyone living isn’t going to be the same person they were before the creatures arrived.
- Dogs. If I’m remembering correctly, there are no dogs in the film. The book features three, with one ‘main one’, but considering this is horror novel…maybe it is a good thing they dropped them for the film.
Overall, the book definitely wins out over the film. The film felt like a physiological thriller packaged as horror, and though it was enjoyable, elements of it just felt a little too weak. The book was a gripping, engaging horror novel with stronger characters and less plot-holes.