Star Wars: Tales of the Bounty Hunters [Books]

c_tales_bhuntersI like Star Wars, and have done since seeing the original films as a teenager. I was excited when the new films were announced, loved TFA, TLJ, and Rogue One, sort of enjoyed Solo (I guess), but it was only in the last couple of years I watched the prequel films. (Which kind of left a bad taste in my mouth)

But until now, I had never actually read a Star Wars book.

My BF has an extensive library, including quite a lot of the Star Wars novels. He did want me to read one originally linked to the prequel films, but I shot him down, pointing out if I didn’t like the first one I read, I likely wouldn’t pick up the others, because life’s too short to waste on books I don’t enjoy.

Anyway, I ended up reading Tales of the Bounty Hunters, and it was actually a good place to start. Even if some of it is now invalidated by both the prequels and sequels, but even though it’s no longer ‘canon’ to Star Wars, it was still enjoyable.

The collection of short stories, edited by Kevin J. Anderson, was released in 1996. Before the prequels, before the Disney films, before…well, before I’d ever seen Star Wars. (It was a simpler time) Each story focuses on a different bounty hunter, but all contain one key scene – the moment when Darth Vader sends the hunters out to find Han Solo.

Bounty-Hunters

Therefore I Am: The Tale of IG-88

This was a good story to start the collection. It’s not the best, but it’s compelling enough, watching the assassin droid advance and ‘evolve’.

Payback: The Story of Dengar

I really liked this one, and it had me completely rooting for Dengar, wanting to see him succeed in some way, though not in the way he wanted to.

The Prize Pelt: The Tale of Bossk

First things first, Bossk is not a likeable character. So it’s good that this story gives us two completely new characters – a human and a wookie, who offer to help Bossk hunt down Solo and, more importantly, Chewie, as Bossk desperately wants his pelt. Works nicely, and I think I’d have rather seen a film with these two characters than Solo.

Of Possible Futures: The Tale of Zuckuss and 4-LOM

I found this to be kind of sweet. Zuckuss is gravely ill, and 4-LOM is constantly trying to learn new skills – the latest being that of ‘intuition’, which he hopes to learn from Zuckuss. But the bond between them, I think, also teaches 4-LOM a bit of empathy, as they try to gain enough credits to pay for Zuckuss’ treatment. This and The Prize Pelt are my two favourite stories out of this collection.

The Last One Standing: The Tale of Bobba Fett

Maybe because there’s so much ‘weight’ to the character of Bobba Fett, but this, to me, was the weakest story. Not because it contradicts anything that came after (I am more than happy for that to happen) but because it just felt at odds with what little we knew of Fett in the original films, and parts of it felt a bit…mundane. I think I would have preferred to see Fett continuing from the end of Payback, but instead we get a short story that spans decades, jumping forward to relevant points. This version of Fett is obsessed with ‘justice’, but that justice seems awfully dependent on the Empire’s view of black and white, rather than any internal moral compass. It felt a little weak.

bounty-hunter

Overall, I really would recommend this book, if you like Star Wars. If you’re a fan of the prequels OR don’t want to get into the now non-canon extended universe, however…maybe give it a miss? All I can say is, I really enjoyed it, despite knowing nothing about these characters except their brief on-screen appearances in the original films.

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Why I Love Short Story Anthologies

And no, I’m not just saying this because I happen to be in a few. I’ve enjoyed anthologies and collections since I was a teenager, picking up any book I could get my hands on. At the time, I read a few horror ones, and fell completely in love with short stories.

In terms of writing, short stories and novels come with their own difficulties. A novel has time to meander a little, to slowly build up the world and its characters. Yes, there should be a connection from the moment you start reading, but I think most readers are happy for a little leeway on this. A novel can flash back and forth between past and present, allowing deep glimpses into characters and why they might be the way they are. The main trick with a novel is to keep the reader completely invested for 50K+ words.

It’s easier to keep a reader interested in a short story, but there’s obviously a lot less room to play around. Character and plot have to grab the reader from the first word, and what could be a flashback scene in a novel, to explain an important turning point in the MC’s childhood, must become a single sentence in a short story.

Good writing amazes me, no matter the length, but something about a fantastic short story just feels different from reading a brilliant novel. To me, a novel is like a TV show; more time, more depth, more subplots. Characters A & B can study moral philosophy & ethics, while Characters C & D can fall in love without even realising they’re doing it.

the good placde
I might be a little bit in love with this show

A short story feels more like a film. Less time to really delve into the characters, pace needs to remain high, and the focus should be on one MC, maybe two or three at a stretch, if done well. And that’s not even going into POV.

Good writing is good writing but it does feel like all too often the short story gets overlooked. Yet it is everywhere. Online fiction magazines, in-print mags, short story competitions and anthologies. Personally, I like in-print magazines and anthologies (not to mention author collections). I love reading short stories, and one of my favourite things about anthologies/magazines is discovering new-to-me writers.

I remember picking up horror anthologies as a teenager – Mammoth Books springs to mind, but there were a number of others buried among my brother’s Horrible Histories, Goosebumps, and Point Horror books. I devoured them. In my early twenties, I read collections by Stephen King, and later, after finishing the Song of Ice & Fire series, I picked up Dreamsongs by GRRM. After that, I started Wild Card.

The last few days, I’ve been reading issue 60 of Black Static, containing stories from Carole Johnson, Tim Lees, Ray Culley and Stephen Hargadon. My favourite story, by far, is Johnson’s Skyshine (or Death by Scotland). It does everything a good short story (or, in this case, novella) should do. Captures you from the moment you start reading, keeps a tight hold, and doesn’t let you go. And Skyshine feels very much, in a good way, a story for the #MeToo era, as a young woman struggles with how, exactly, she is supposed to deal with men who make lewd comments as she walks past. (This issue is actually from Sep – Oct 2017, meaning the story predates the movement)

As soon as I finished reading it, I looked up Johnson on Amazon, and added to my Wish List more of the anthologies she has been featured in.

It’s something I find myself doing often with short stories.

I’ve been doing it while listening to old episodes of Starship Sofa, or Tales to Terrify. Especially if I can find an anthology with the story that’s been read on the podcast.

Novels are like new worlds, but short stories are the gateways to those worlds. Anthologies (and podcasts, of course) are a great way to discover new authors, or even reading where some favourites started. They’re samples, in a sense, and when they work, they work so brilliantly well, it’s hard to not want to instantly read more by the same author.

Do you have any favourite anthologies, or any authors you discovered through anthologies? Let me know! I am, after all, always looking for me to read.