The Twisted Tales series are stories about films and characters we know and love from Disney films, but putting one twist into the story that either changes everything, gives something additional in the middle, or extends the story beyond the familiar endings. I wrote about the series as a whole here, and purposefully held onto reading Let It Go so I could read it while on my Disney trip last week. I started it on the coach on the way to the airport, didn’t actually finish it until this week. Turned out, I was way too tired while travelling to read, and by the time we got back to the hotel in the evening, I was too exhausted to spend more than a small amount of time reading about this alternative version of Anna and Elsa’s story.
Anyway, this was an ideal book to take away, and the bits I did read, I enjoyed, though not as much as the others in the series. But a big charm of this series is that everyone has a different favourite. It’s handled by three different authors, with three different writing styles, and it ensures every book feels unique.
With Let It Go, (which, as far as I can tell, is Conceal, Don’t Feel in the US) I didn’t enjoy it as much as I enjoyed some of the others. I like when the story is turned completely on its head, presenting new scenes and putting the characters in different, new settings. To me, this one felt like too close to the source material, scenes rehashed from the film and put into the written word. But this aspect of it is something other readers might thoroughly enjoy.
When we join Anna and Elsa in Let It Go, it’s to find that neither know of the other. Elsa lives as princess with her parents, while Anna lives in a small village overlooking the city. Both feel something is missing in their lives, but neither quite knows what it is. As the story unfolds, we discover that when they were taken to the trolls, after Elsa hit Anna with her magic, Elsa interrupted the spell, causing a curse that means they cannot be near each other. To protect them, the trolls cast a spell to ensure they forgot one another, and the kingdom forgot there was another princess.
The twist is good, and in some places executed really well, bringing forward the sense of sisterly love that made the film feel so fresh in the first place. The main thing I disliked, as stated above, was the way scenes from the film felt repeated. Dialogue is lifted almost word for word, song lyrics feel forced in, and scenes take place exactly as they do in the film, just in a different way.
Much of the novel feels forced towards the same point as the film, leaving the twists to be clearly visible and marked, and meaning the last part just felt like rehash. It feels like more could have been done with it, really.
Saying that, however, Calonita does have a fantastic way with words. The descriptions – of the city, the village, the icy mountains and the valley where the trolls live – are brilliant, and she has a clear, deep understanding of the characters. Despite the situation they’re in, they feel like the characters we know from the films, and they react how you’d expect them to react. The love elements are handled really well, emphasising the sisterly love but also allowing more time for relationships to develop, to show why Hans is actually present, and why Kristoff is willing to run off with Anna, in search of someone he’s never met. The threads of the story are woven well, and although this wasn’t my favourite of the series, I did enjoy it, and if you’re a fan of Frozen, it’s definitely worth checking out.
(As a side note, the two women I work with who also read this series absolutely loved the book, much more than I did! Like I said, it’s one thing I really love about the series as a whole – the varied reactions to each book.)